{"id":1079,"date":"2023-09-01T23:15:00","date_gmt":"2023-09-01T21:15:00","guid":{"rendered":"https:\/\/www.fatuk.de\/atg\/?p=1079"},"modified":"2024-06-26T10:07:07","modified_gmt":"2024-06-26T08:07:07","slug":"neuerscheinung-2","status":"publish","type":"post","link":"https:\/\/www.fatuk.de\/atg\/neuerscheinung-2\/","title":{"rendered":"Neuerscheinung"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>OASE #115<\/strong>: Interfences: Moving across European Architecture Cultures, Rotterdam 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Detours to a house in Cluj<\/em> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">by Adria Daraban, Andr\u00e9 Rethmeier and Christoph Schlaich<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">European architecture is characterized by an ongoing exchange of cultures, ideas and influences. In recent decades, this process has intensified. Ideas developed in one region can migrate and bear fruit elsewhere. Existing architectural conventions are thus questioned, supplemented and remodelled.<br><br>This issue of OASE discusses the poetics of architectural design that emerge from the complex web of idea exchange throughout Europe. Contemporary transnational design practices and other forms of exchange are addressed along lines such as migration, education, work and design cultures, to elaborate on how historical narratives of specific European locations are interpreted and reworked. How does a design become the result of exchange? Does a diversity of cultural backgrounds influence aesthetic choices? And, how is this translated into the organization and design processes of design firms? OASE 115 shows the extent to which architecture is the product of infinite interferences, overlaps and layers of cultural models and their material manifestations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adria Daraban, Andre Rethmeier and Christoph Schlaich\u2019s contribution presents the reader with an assembly of textual and visual fragments illustrating the perspectives and situations that the authors, three Cologne-based architects, have encountered in the process of working on a residential project. Congruent with the project and design process, the text forms an orchestrated exchange between theory, practice and situatedness.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-1024x768.jpg\" alt=\"\" class=\"wp-image-1076\" srcset=\"https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-1024x768.jpg 1024w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-300x225.jpg 300w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-768x576.jpg 768w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-1536x1152.jpg 1536w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-2048x1536.jpg 2048w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-1612x1209.jpg 1612w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-1116x837.jpg 1116w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-806x605.jpg 806w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-558x419.jpg 558w, https:\/\/www.fatuk.de\/atg\/wp-content\/uploads\/2024\/05\/IMG_9648-655x491.jpg 655w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Fotos: Adria Daraban 2023<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This issue of OASE discusses the poetics of architectural design that emerge from the complex web of idea exchange throughout Europe. Adria Daraban, Andre Rethmeier and Christoph Schlaich\u2019s contribution presents the reader with an assembly of textual and visual fragments illustrating the perspectives and situations that the authors, have encountered in the process of working on a residential project. <\/p>\n","protected":false},"author":2,"featured_media":1087,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","inline_featured_image":false,"footnotes":""},"categories":[11],"tags":[18,19],"class_list":["post-1079","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-neuigkeiten","tag-diskurs","tag-medien-der-architektur"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/posts\/1079","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/comments?post=1079"}],"version-history":[{"count":13,"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/posts\/1079\/revisions"}],"predecessor-version":[{"id":1109,"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/posts\/1079\/revisions\/1109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/media\/1087"}],"wp:attachment":[{"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/media?parent=1079"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/categories?post=1079"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fatuk.de\/atg\/wp-json\/wp\/v2\/tags?post=1079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}